Exercise 1.6: The contemporary abyss

Edmund Burke's definitions of the sublime are what we always relate back to but as Simon Morley points out, " the term has a rather archaic ring." (Tate, 2019). Burke's definition below: Whatever is fitted in any sort to excite the idea of pain, and danger, that is to say, whatever is in any sort …

Exercise 1.2 : Photography in the museum or in the gallery

Notes on 'Photography's Discursive Spaces: Landscape/View.' by Rosalind Krauss Krauss begins by comparing two images, the first a colloidian photograph by Timothy O'Sullivan taken in 1868. The second, a lithograph copy of the same image produced in 1878. The first image has been slightly overexposed which adds to it's mystical aesthetic whereas the lithograph has …

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